VENERE | ANTONIOLUPI | 2017
The sensuality of form, the softness of the enveloping lines, the continuity of the surfaces, the charm that becomes mystery, what is known hides the unknown. It could only be called Venus and postpones explicitly to the concept of beauty, grace and feminine sensuality.
The front image of the suspended washbasin leads immediately to that of a mouth, the smooth surface of the Flumood amplifies the senses involving tact over sight. Venus is magically anchored to the wall, it is perfectly integrated with it through the back that comes up to cover the support components.